This weekend I went to see a play my brother Scot was acting in: “Compleat Stage Beautyâ€. Apart from watching Scot in his many and various roles, I was also fortunate enough to see a man acting as though he was a man playing the part of a woman who disguised herself as a man. Add to that the sublime vulgarity of the period and it was a great bit of theatre.
The thing that fascinated me most, however, was not the magnificent gender-bending performance of the lead actor, nor even the embarrassingly realistic gay sex scene. Rather, it was the references to the person whom we have to thank for recording this complicated subtext to the restoration period.










